Version vom 13. Juli 2010, 17:46 Uhr

About me

• born on the 7th August 1991
• live in in the nice village westheim
• like going to concerts and festivals
• hate getting up early in the morning

Thoughts about the election in germany

1. The party "SPD" is the biggest loser in this election because 23,4% is its lowest election result in history. I think a reason for this is that a lot of people who elected "SPD", decided to vote "Die Linke", which reached more than 10% the first time.
2. The big winner of the rather small parties is "Die Piratenpartei". Especially young voters, decided to elect them. I think this is just because of their name! And a lot of people who don't care who to reign germany just read "Die Piratenpartei" and thought "Ahh. pretty cool name".
3. Another big winner is the party "FDP", which reigns germany now with "CSU/CDU"
4. The voter turnout this year was very low. I think especially young voters don't care about electing.

New president of the USA: Barack Obama

people expect from him

1. What the world expects from Obama

hope for Obama

1. Latin america: People see ray of hope in Obama

Vocabulary

Adverts

Essay

Advertising works pretty easy, which i will show you on the advert of "Deutsche Verkehrswacht" to buckle up. The advert shows four framed photos of people different ages and different genders. The first three persons are dead, which is symbolized by the black ribbon on the upper corner of the pictures. The person of the last photo uses this black ribbon as a seatbelt. The first thing you notice, when you look at the advert is the big contrast between the bright wall and the black ribbons. Because of the bright clothes the persons are wearing, the contrast get even stronger. On this way the costumers' attention is easily attracted. So the customer thinks about the advert and understands the message of the image, that you will probably die, if you don't use a seatbelt. The advert also uses costumers' fears of being dead or injured after a car accident.

Romeo

Romeo is the son of the Lord of Montague and one of the title characters and about 16 years old. Romeo's first love is not Juliet but a woman called Rosaline. But his love to Rosaline is unrequited, so he is sad because he fell deeply in love with Rosaline and thought she´s the only woman he could ever love. Then he met Juliet and quickly forgot his old love Rosaline. From this point on he´s very dynamic. So it seems Romeo is a guy, who fells easily in and out of love. Furthermore he´s also courageous, because Romeo and his friends go to the party of the Capulets, his family's enemy, which means. Moreover Romeo likes poetry, which you can see, when he´s talking with his friends, who are very important to him.

Translation 4

Letztendlich ist ihre Liebe tödlich, als Romeo sich selbst vergiftet, da er Julia fälschlicherweise für tot hält, woraufhin Julia, Selbstmord begeht, als sie entdeckt dass er tot ist.

Luhrmann's Romeo und Julia (genau betitelt mit William Shakespeare's Romeo und Julia) nimmt das Stück und verlegt es in ein modernes Verona Beach, zum Teil verfallen und zum Teil sowohl an Miami als auch an Mexico City erinnernd. Nach eigener Aussage des Regisseurs ist das eine geschaffene Welt, die Aspekte der einzigartigen optischen Gestaltung aus solch verschiedenen Perioden wie den 1940er Jahren, den 1970er Jahren, den 1989er Jahren auslieh. Und er benutzte eine Vielfalt an klassischen Filmen (vor allem Rebel Without a Cause) zur Inspiration. Durch das Ersetzen von Pferden mit schnellen Autos mit dröhnenden Motoren und das Vertreten von Schwertern und Dolche durch Gewehre, ist der daraus resultierende Hintergrund erstaunlich.

Romeo und Julia's Kamera ist ruhelos, immer in Bewegung. Es gibt Momente, in denen die schnellen Schnitte und der tobende Soundtrack eine nachvollziehbare Verwirrung zwischen dem Film und einem Rockvideo verursachen könnten. Tatsächlich ist es einfach, dass wegen all den Kameratricks, Spezialeffekten (wie zum Beispiel ein aufbrausender Sturm) und ausgelassenen Farben, der Stil von der Handlung ablenkt. Und dementsprechend kommt Luhrmann zu Beginn des Films Shakespeare's Dialoge mit Technik zu überfluten nahe, obwohl er versucht dies zu verhindern. Dabei geht das raffinierte Immaterielle der Romanze unwiederbringlich verloren.