Love Poetry: Unterschied zwischen den Versionen
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K (→Thomas Campion - There is a Garden in her Face (1601)) |
K (→Thomas Campion - There is a Garden in her Face (1601)) |
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Zeile 7: | Zeile 7: | ||
;Wherein all pleasant fruits do flow. | ;Wherein all pleasant fruits do flow. | ||
;There cherries grow which none may buy, | ;There cherries grow which none may buy, | ||
− | ;Till "Cherry ripe" themselves do cry. | + | ;Till "Cherry ripe" themselves do cry.<br> |
;Those cherries fairly do enclose | ;Those cherries fairly do enclose | ||
;Of orient pearl a double row, | ;Of orient pearl a double row, | ||
Zeile 13: | Zeile 13: | ||
;They look like rose-buds fill'd with snow; | ;They look like rose-buds fill'd with snow; | ||
;Yet them nor peer nor prince can buy, | ;Yet them nor peer nor prince can buy, | ||
− | ;Till "Cherry ripe" themselves do cry. | + | ;Till "Cherry ripe" themselves do cry.<br> |
;Her eyes like angels watch them still, | ;Her eyes like angels watch them still, | ||
;Her brows like bended bows do stand, | ;Her brows like bended bows do stand, |
Version vom 12. Januar 2010, 08:50 Uhr
Thomas Campion - There is a Garden in her Face (1601)
- There is a garden in her face
- Where roses and white lilies grow;
- A heav'nly paradise is that place
- Wherein all pleasant fruits do flow.
- There cherries grow which none may buy,
- Till "Cherry ripe" themselves do cry.
- Those cherries fairly do enclose
- Of orient pearl a double row,
- Which when her lovely laughter shows,
- They look like rose-buds fill'd with snow;
- Yet them nor peer nor prince can buy,
- Till "Cherry ripe" themselves do cry.
- Her eyes like angels watch them still,
- Her brows like bended bows do stand,
- Threat'ning with piercing frowns to kill
- All that attempt with eye or hand
- Those sacred cherries to come nigh,
- Till "Cherry ripe" themselves do cry.
- What is the rhyme scheme?
- What parts of the poem are there?
- Who is the speaker talking about and what is his “message”?
- What images are used and what do they imply?
- Do the use of language, division into parts and rhythm support the message?